Inside Sabertooth
Learn how Sabertooth uses 3ds Max to create 3D interactive projects, including HBO Go’s Game of Thrones interactive experience
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AU Masterclasses

AU® MasterClasses invite expert and outstanding 3D artists to share their skill sets, tips & tricks or knowledge about solving production challenges using Autodesk products. Each MasterClass is a 60 to 90 minute video session created by these experts. AU Virtual 2011 classes now available via the year-round AU website

MasterClass Title:
Software:
Presenter:
A look at working in Smoke from Edit to Finish

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Autodesk® Smoke®
Nick Harauz
Artistic Technical Director
at Behaviour Interactive
Facial Animation and Retargeting for Games at Behaviour

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Autodesk® Maya®
Sylvain Côté
Artistic Technical Director
at Behaviour Interactive
Insider Tips and Tricks for Creating Game Environment Assets

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Autodesk® 3ds Max®
Sandra Tournemille
3D artist
3D Math for Artists

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Autodesk® Maya®
Ryan Trowbridge
character TD
at Naughty Dog Inc.
Transforming through textures

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Autodesk® Maya®, Autodesk® Softimage®
David Lightbown
Senior Artistic
Technical Director
at Behaviour Interactive
Introduction to Painting in Autodesk 3ds Max 2011 "What We've Always Wanted."

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Autodesk® 3ds Max®
Johnathon Vought
Owner/Founder at
Radioactive Labs
Texturing of the Uncharted 3 Cipher Disk

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Autodesk® Maya®
Christophe Desse
Technical Artist
at Naughty Dog
Animating Animals: Tips and Tricks to Animating Believable Animal Characters in a Live Action Feature

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Autodesk® Maya®
William Groebe
Animation Supervisor
at Tippett Studio
3ds Max and Mudbox Hard Surface Detailing Workflow, Utilising VDM

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Autodesk® 3ds Max® and Autodesk® Mudbox®
Cris Robson
Instructor
Oh My, Maya is Qt!

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Autodesk® Maya®
Kristine Middlemiss
Developer Consultant
in the Autodesk
Developer Network
Making Movies at home with Maya

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Autodesk® Maya®
Matt Herzog
Maya Instructor
Advanced Visual Effects Pipelines for Feature Films

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Autodesk® 3ds Max®, Autodesk® Maya®
Allan McKay
Visual Effects Supervisor
and Director, Owner,
Catastrophic FX​
Rigging & Animation Workflows Using HumanIK and Face Robot

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Autodesk® Face Robot®, Autodesk® Human IK®
Jean-Marc Belloncik
Sr. SME /Content Developer,
Autodesk
Media & Entertainment​
Using Autodesk 3ds Max in the Realm of Visual Effects

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Autodesk® 3ds Max®
Joe Gunn
3D, Visual FX, Training ,
Joegunn3d
Live Animation Binding

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Autodesk® Maya®, Autodesk® Human IK®
Mark Jackson
Lead Technical Supervisor,
Eurocom Developments
Limited
Next-Gen 3D head creation: modeling, rigging and animation in Autodesk Entertainment Creation Suite.

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Autodesk® Entertainment Creation Suite with 3ds Max®, Autodesk® Entertainment Creation Suite with Maya®
Laurent M. Abecassis
President, Di-O-Matic, inc.
Cross-platform Animation Pipeline at Behaviour Interactive Studios

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Cross Platform
Marc Beaudoin
Martin Poirier
Behaviour Interactive Studios
Next-Gen 3D head creation: modeling, rigging and animation in Autodesk Entertainment Creation Suite

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Autodesk® 3ds Max® 2011 Entertainment Creation Suite
Laurent M. Abecassis
Creating QT interfaces for Maya and MotionBuilder

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Autodesk® Maya®, Autodesk® Motionbuilder®
David Coleman
Optimizing mental ray: Materials, Lights and Render Settings for Quality and Speed.

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Autodesk ® 3ds Max®
Jennifer O'Connor
The Best of Both Worlds, Part One: Using Softimage and Maya to create a VFX pipline using the best tools for the job!
Autodesk® Maya®, Autodesk® Softimage®
Perry Harovas
The Best of Both Worlds, Part Two: Using Softimage and Maya to create a VFX pipline using the best tools for the job!

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Autodesk® Maya®, Autodesk® Softimage®
Perry Harovas
Pipeline tools for Ocean FX

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Autodesk® Maya®
Kevin Mannens
Sony Pictures Imageworks
Mechanical Character Rigging

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Autodesk ® 3ds Max®
Paul Neale
Mechanical Rigging Evolved

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Autodesk® Maya®
Chad Robert Morgan
Dylan Jones
Double Helix Games
Speed Rigging and Animation Tools for Bipeds

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Autodesk® Maya®
Marc-André Guindon
NeoReel inc.
Conceptualization - From concept to final asset

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Autodesk® Mudbox®
Wayne Robson
Node based material creation using the new Slate Material Editor in 3ds max 2011

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Autodesk ® 3ds Max®
Michael McCarthy
Lean and Mean Character Rigging in Maya

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Autodesk® Maya®
Sylvain Côté
Practical Applications of Maya Python in Game Production

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Autodesk® Maya®
Adam Mechtley
Ryan Trowbridge
Creating Assets for “The Beatles: Rock Band”

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Autodesk ® 3ds Max®
Stefan Henry-Biskup
Liquid Development
Fracture: procedural, collision event-driven destruction
Autodesk® Maya®
Kevin Mannens
Sony Pictures Imageworks
Advance Autodesk® Mudbox® Software Tips & Workflows
Autodesk® Mudbox®
Wayne Robson
Non-Photorealistic Rendering Techniques in Autodesk ® 3ds Max®
Autodesk ® 3ds Max®
Gary M. Davis
Autodesk
Mocap and Character Rig demystified
Autodesk® MotionBuilder®
Marc-André Guindon
NéoReel Inc.
Character Deformation Effects Using Autodesk® Softimage® ICE
Autodesk® Softimage®
Bradley R. Gabe
Janimation
Giant Robots: Using mental ray shaders to integrate CG elements into real shots
Mental Ray
Hakan “Zap” Andersson
Mental Images
 
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